(Smog)

An under-recognized pioneer of the lo-fi revolution, Smog was essentially the alias of one Bill Callahan, an enigmatic singer/songwriter whose odd, fractured music neatly epitomized the tenets and excesses of the home-recording boom. Melancholy, poignant, and self-obsessed, Callahan's four-track output offered a peepshow view into an insular world of alienation and inner turmoil, his painfully intimate songs ping-ponging wildly through a scrapbook of childhood recollections, failed relationships, bizarre fetishes, and dashed hopes.



Smog debuted in 1988 with the spare, primitive Macrame Gunplay, a cassette-only release issued on Callahan's own Disaster label. Cow followed in 1989, while three more tapes -- A Table Setting, Tired Tape Machine, and Sewn To The Sky -- were issued a year later. With 1991's Floating EP, Smog signed to the Chicago-based indie label Drag City, and with the move began an advancement toward more traditional songcraft. The subsequent full-length, Forgotten Foundation, was his most well-rounded effort yet, employing a stronger sense of melody while remaining true to the trademark bare-bones atmosphere.

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